![]() ![]() * New insight from additional professional colorists, including legendary colorists, Bob Festa, Stefan Sonnenfeld, and Pankaj Baipai, showing you the 'hows' and 'whys' of each grade. Color Finesse 2.1.10 for After Effects and Premiere Pro : 2009 : 2.1.10 : Synthetic Aperture : Windows Vista: : Intel Pentium III or later, or AMD Athlon XP or later, processor with SSE instruction set support. * A brand new tutorial-based chapter, with companion project files on the downloadable resources, so you can work along with the text * Downloadable resources containing two hours of video tutorials using DaVinci Resolve, extended interview transcripts and color correction sessions with the professional colorists featured in the book * use color correction to advance a story * master primary and secondary color correction techniques * fix poorly exposed shots and shots with color casts Packed with explanations, tips, and concepts that build on each other, you will learn how to: Featuring techniques performed in a variety of color correction software applications (DaVinci Resolve, Apple Color, Synthetic Aperture's Color Finesse, and more), this book turns what has long been a misunderstood black art into a set of skills that any colorist, editor, independent filmmaker, or motion graphics artist can begin to master. ![]() This book allows you unprecedented access to the way the masters of the craft approach their work.Ĭontaining decades of industry experience and professional colorist know-how, this book provides an understanding of what top-tier colorists look for in an image and how they know what to do to make it great. These algorithms are primarily data driven, without a priori knowledge of waveform and sensor position, representing a crucial step in developing a robust imaging system.The only guide to the art and technique of color correction based on the invaluable knowledge of more than a dozen of the top colorists in the world. A general digital signal-processing solution to the laser waveform instability problem is described and demonstrated, involving both new algorithms and hardware elements. A number of fine-resolution, well-focused SAIL images are shown, including both retroreflecting and diffuse scattering targets, with a comparison of resolution between real-aperture imaging and synthetic-aperture imaging. In particular, we report what we believe to be the first optical synthetic-aperture image of a fixed, diffusely scattering target with a moving aperture. We detail our laboratory-scale SAIL testbed, digital signal-processing techniques, and image results. We investigate a technique known as synthetic-aperture imaging laser radar (SAIL), which employs aperture synthesis with coherent laser radar to overcome the diffraction limit and achieve fine-resolution, long-range, two-dimensional imaging with modest aperture diameters. The spatial resolution of a conventional imaging laser radar system is constrained by the diffraction limit of the telescope’s aperture.
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